The tile caption for Dexter Fletcher Rocketman is quite clear ̵
For many, Sir Elton's decades of long career was easy to ignore, but in the decade & # 39; 70, especially in the US, he was successful, claiming 5% of the total global income of music. He made a fortune for himself and those around him, all while fighting with his own demons who could be tracked in his childhood.
It's easy to say what a movie is – not just another biopic with music that's hurt. It is an extraordinary musical, using the elevated form to tell a story that follows emotional truth more than biography accuracy. Other films can be toys with a storyline to make a more enjoyable narrative, but here are twists and turns are more deliberate, replacing facts to better aid the core of what exists beneath .
Musically, the famous Bernie Taupin / Elton John song is also rearranged, changing tempo and order throughout. In most cases, they enlarge the original more than imitate, allowing the lyrics to be content to shine a little bit better, and performances to tie the words happening on the screen more powerful.
It should not be forgotten that Elton has always been a cypher. Her most emotive and emotional moment lyrically was she just singing the words of her partner – EJ ring as Bernie could not – and so, most music biographical and thematically consistent elements are really Taupin rather than John. The filmmakers are smart enough to wrestle some of them back in the main story line, and recontextualizing the songs in a way that works fabulously.
The luxury and incidence of John's glam phase is evoked by stellar production designs, but even here there are adjustments and aggrandizements that are in accordance with the heightened world of the musical. Some pedantic couple can criticize the details – pick up the famous Troubadour Rig in 1970, where the tour to a newly formed trio of drummer Nigel Olsen and bassist Dee Murray took their residency at the famous L.A. club. On the screen, there are four members of the band, and this is Elton's big break – in fact he travels his second record, and earns the attention of his idols like Bob Dylan, Leon Russel and Neil Diamond (who introduced to musicians in the crowd).
Is it really worth having four instead of three musicians on the stage of the movie? Of course not. It is just one of dozens of dozens of changes made in reality. But more than that, do listeners really abandon it? Is Elton flying, Super Man-like, when it comes to the famous picture? Again, of course not. But that's exactly what it feels felt as in August, 1970 audience, to feel the whole world of Rock and Roll changing in front of their eyes. On a tour captured by live-to-tape at a New York studio a few months later as 17-11-70 it is definitely one of the most iconic live shows ever recorded. And here, in a span of several scenes and in the development of modern filming, Fletcher and his assistants are bringing us to the idea of the event rather than worrying about all the unnecessary things without significance and details.
Dexter Fletcher's vision for the story was a drunk, and especially for the first two thirds, it succeeded almost perfectly. Egerton's casting is really inspired – his round face is beautifully dressed in costumes, but his loud voice is of high performance. He often sing directly to record rather than through playback, and this kind of direct intimacy between image and song always helps in extraordinary ways. The rest of the cast, including Jamie Bell as Taupin, Richard Madden as the manager / lover John Reid, and Bryce Dallas Howard as Sheila, Elton / Reg's mother, provides a solid foundation for Egerton to play from.
But no This mistake is out of Egerton, and he shines like he never heard. He imports the most important part – a sardonic air mixed with evil which results in incredible, infectious charisma that Elton's most form affects this season. The film does not dance around from more aspects of conversation and other indulgences. The relationship of Reid / Elton is particularly drawn – Madden does not make Reid a villain, but only one is humble in the success of time. Awake as well as Stephen Graham as Dick James, one of the actors who looks to do everything he does better in his presence.
There are small meals to sate the most unwavering fan – look at a wonderful song by Taron under "Amoreena" from Tumbleweed Connection placed for the situation, for example, or the fact that the album they chronologically skipped, "Empty Sky" in 1969, was passed to EJ to sign.
All of this connects to a movie that is certainly respectful of all these elements but free to create its own storyline. It has no hagiography of Elton – he is often a right bastard in full – or it is some grand reconciliation or apology. It is in his heart a real celebration, one that is uncertain to talk about bad to good, the wrong ones to the soaring.
The last movie action is suffering from trying to do too much in too little time, because the rise of talent is more interesting than the missteps at other times accumulated for years and years . It is not clear how it can be corrected, but it is small to reduce the enthusiasm for what came before.
Rocketman at its best, feels like listening to this masterful music. It is much more than an act of emotion than conspicuous discussions, which take the usual rock-biopic troops for the grant and increase of their own development. The fantasy movie is also completely lost, preserving the fun balance between the intense, theater world and the naked, emotional feelings of those involved.
Finally, despite some reservations, the Rocket Man has really risen, and I think it will be a long time before we have Elton's celebration that it's rich enough and enjoyable. ] / Movie Rating: 8.5 out of 10
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